‘Tomorrow’ Tagged Posts

Clothing Styles of Tomorrow are Evolving on the Streets of Spitalfield Today

Spitalfield; Perhaps it’s not the most attractive name for a London suburb. But its early music halls propelled Charlie Chaplin to in...

 

Spitalfield; Perhaps it’s not the most attractive name for a London suburb. But its early music halls propelled Charlie Chaplin to international stardom. As a major entertainment district for many decades, fashion styles evolve in the evenings as the pub and cub scene come alive. Up and down the streets and alleyways in a mixture of classes and cultures.

Also famous for The artist Mark Gertler (1891-1939) is perhaps most admired for his 1916 painting The Merry-Go-Round, which hangs prominently at Tate Modern. He is less favourably immortalised in the 1995 biopic Carrington, in which he is portrayed as the tormented lover of the androgynous Bloomsbury artist Dora Carrington.

Spitalfields takes its name from a hospital and priory known as St. Mary’s Spital founded in 1197. Most of the area was built after the Great Fire of London and Spitalfield’s market was first established in the 1680’s. Most of the beautiful houses in and around Fournier, Princelet and Wilkes Street date from around 1685 when the Huguenots fled France, bringing their silk weaving skills.

The United States’ Liberty Bell was originally cast in the Whitechapel Bell Foundry in Whitechapel Road. The pavement here is extra wide – this was the main way via Aldgate for cattle and sheep to be driven into London, together with carts laden with hops for brewing and hay for cattle.

Renowned tailor to Tom Cruze and David Beckham, Timonthy Everest concludes many decades of change to the area by opening up shop at 32 Elder Street, once the residence of Bloomsbury artist Mark Gertler. He politely shunned the inherent stuffiness of traditional tailoring, by, saying “moving to Savile Row would be like moving back in with my parents”

He rejuvenated British fashion icon Daks and helped prop Marks and Spencers return to traditional pound for pound quality with his outstanding “Autograph” range of men’s clothing and fashion accessories.

Timothy’s move to the area and adopting the Spitalfield flower as his signature marked a new direction for men’s clothing and accessories. Savile row is far removed from the hub of style evolution. Perhaps the beginning of a new era has begun and more tailors will follow to set up shop in Elder Street.

Now the Spitalfield flower blooms on jacket linings and ties, as though culminating centuries of historic events. And to push the boundaries of innovation even further he has re-invented Swank silver cufflinks, styled on designs from the 1940’s.

Swank Inc a popular designer and manufacturer of men’s cufflinks were incorporated on April 17, 1936. When Cufflinks peaked in the 1960’s they were making 12 million a year.

Even though these were aimed at the lowest end of the market, retailing for an average of $2.50 a pair, that still adds up to a lot of men wearing cufflinks. These days the figure is closer to 200,000, but cufflinks are making a strong comeback with gross sales having increased consistently over the last ten years, while the French cuff continues to be the most prestigious type of shirt.

Nothing in Spitalfield lays to wrack and ruin for long. It’s constantly being rejuvenated and with each new generation evolves different styles from all walks of life up and down the streets of Spitalfield.

You can manufacture fashion clothing, but style is an evolution. Ask Vivienne Westwood

To draw a comparison; The Beatles evolved, The Monkees were manufactured.

Perpetuating traditional values of English made clothing and accessories is part of our ethos.

Purveyor of finely crafted Designer Silk Ties and handmade silver cufflinks by, Ian Flaherty, Simon Carter, Vivienne Westwood, Lbb London, Veritas, Timothy Everest, Michelsons and Victoria Richards, Louis Feraud, Shane McCoubrey and Cressida Bell, plus a selection ofTimothy Everest Ties

The Beatles – Within You Without You / Tomorrow Never Knows

 


A promotional video for the song(s) Within You Without You / Tomorrow Never Knows from the album Love.

The Beatles – Within You Without You – Tomorrow Never Knows (LOVE promo) (HQ)

 


“Tomorrow Never Knows” is the final track of The Beatles’ 1966 studio album Revolver but the first to be recorded. Credited as a Lennon/McCartney song, it was written primarily by John Lennon. An innovative recording, it contributed to Revolver’s reputation as one of the group’s most influential and expressive albums. Music critic Richie Unterberger of Allmusic said it was “the most experimental and psychedelic track on Revolver, in both its structure and production.” The song has a vocal put through a Leslie speaker cabinet (which was normally used as a loudspeaker for a Hammond organ) and uses automatic double tracking (ADT) to double the vocal image. Tape loops prepared by Paul McCartney were mixed in and out of the Indian-inspired modal backing underpinned by Ringo Starr’s irregular drum pattern. “Within You Without You” is a song written by George Harrison and released on The Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. It features only Harrison and a group of uncredited Indian musicians, although producer George Martin arranged the string section, and Harrison and assistant Neil Aspinall played the tambura. According to Prema Music, dilrubha player Amrit Gajjar played on the track. It is the second of Harrison’s songs to be explicitly influenced by Indian classical music, after “Love You To”, and Harrison’s only composition on Sgt. Pepper. “Within You Without You” was written on a harmonium at the house of long-time Beatles friend Klaus Voormann

The Beatles – Tomorrow Never Knows

 


My first video ever made. Tomorrow Never Knows by The Beatles on their 1966 album Revolver. “Tomorrow Never Knows” is the final track of The Beatles’ 1966 studio album Revolver. It is credited as a Lennon/McCartney song, but was written primarily by John Lennon. Although it was the first song that was recorded, it was the last track on the album. The song is significant because it contains the first example of a vocal being put through a Leslie speaker cabinet to obtain a vibrato effect (which was normally used as a loudspeaker for a Hammond organ) and the use of an ADT system (Automatic double-tracking) to double the vocal image. “Tomorrow Never Knows” ends the Revolver album in a more experimental fashion than earlier records, which contributed to Revolver’s reputation as one of the group’s most influential and expressive albums. LYRICS: Turn off your mind, relax and float downstream It is not dying, it is not dying Lay down all thoughts, surrender to the void It is shining, it is shining That you may see the meaning of within It is being, it is being That love is all, that love is everyone It is knowing, it is knowing That ignorance and hate may moum the dead It is believing, it is believing But listen to the color of your dream It is not living, it is not living Or play the game existance to the end Of the beginning, of the beginning, Of the beginning, of the beginning, Of the beginning, of the beginning, of the beginning…